100 free cam sxs
Files from the ARRI AMIRA camera are also natively supported, and LUTs can be applied on import as Master Clip Effects.
Native editing of Quick Time formats Import and edit all the popular Quick Time formats natively (including Apple Pro Res and MOV files captured by DSLR cameras, and Quick Time and MOV files from the JVC Pro HD camera range), with full access to clip metadata — no transcoding, rewrapping, or logging and transferring required.
Get full parameter control and RMD file import and edit.
Native support for RED R3D files up to 6K in Adobe Premiere Pro, After Effects®, and Encore software allows R3D files to be dropped straight onto the timeline without transcoding or rewrapping.
RED support Take advantage of a truly native, color-rich, 6K tapeless workflow to harness the full potential of high-resolution raw digital cinematography.
Work natively with footage from RED ONE®, RED EPIC®, RED Scarlet-X cameras with support for RED Rocket, Mysterium X®, and Red Dragon, as well as Color Science and Firmware RED camera advances.
Sony added this feature to the PMW-100, but it seems the BBC is not just concerned with bitrate.
Historically the BBC has been very difficult and strict on standards, and they've required cameras to shoot at a minimum of 50mb/s.
View camera metadata and organize files in the Media Browser before importing and editing the content without transcoding or rewrapping.
Edit directly from the P2 card via the camera or a card reader, or use the Media Browser to transfer content to hard disk for better performance.
Sony RAW media from cameras like the F65 is now also natively supported, as is the ability to export to XAVC 4K.
Native support for Sony SSt P media is also included.
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Full control over parameters like black point, bit depth, and log/linear space allows nondestructive changes to be made at any stage of production.